The Madhouse (Spanish: Casa de locos) or Asylum (Spanish: Manicomio) is an oil on panel painting by Francisco Goya. He produced it between 1812 and 1819 based on a scene he had witnessed at the then-renowned Zaragoza mental asylum. [1]

The set was completed by The Madhouse in 1794, a scene that Goya had witnessed in Zaragoza, painted in a broad, sketchy manner, with an effect of exaggerated realism that borders on caricature.

The Madhouse, 1812 by Francisco Goya This work has the same history and dating as Plates 27, 28 and 29. In many ways this version of a lunatic asylum is more conventional than Goya's earlier eye-witness account of The Yard of a Madhouse.

Apr 10, 2018 · The Madhouse (Casa de locos) or Asylum (Manicomio) is an oil-on-panel painting by Francisco de Goya. He produced it between 1812 and 1819. It shows a mental asylum, with its inhabitants in many different poses.

“The Madhouse,” an artwork by Francisco Goya created between 1812 and 1814, is an oil on canvas painting that subscribes to the Romanticism movement. It measures 45 by 72 centimeters and falls under the genre painting category.

3 days ago · Fox Sports will air an all-new documentary on Monday called "The Madhouse," which details the history of stock-car racing at Bowman Gray Stadium in Winston-Salem, North Carolina. The documentary ...

3 days ago · Bobby Allison's controversial Bowman Gray win one of many stories from "The Madhouse," airing in the week leading up to Cup Series return.

Although some of the images depict festive scenes, it seems that in these paintings Goya actually presents the viewer with four different facets of madness, a theme which he had already dealt with on other occasions, such as in the oil on tinplate The Yard of a Madhouse.

Page of The Madhouse by GOYA Y LUCIENTES, Francisco de in the Web Gallery of Art, a searchable image collection and database of European painting, sculpture and architecture (200-1900)

The eighth and final scene in A Rake’s Progress takes place in ‘The Mad House’, the Royal Bethlem Hospital, or ‘Bedlam’. Tom, wearing only a loin-cloth, lies prostrate in the foreground, chains at his wrists and ankles, fists clenched.