Ultrasonic Scapes | Eisuke Yanagisawa – Gruenrekorder
Eisuke Yanagisawa’s Ultrasonic Scapes collects ten recordings of ultrasonic (beyond human audio perception) sounds, made mostly in Kyoto with the help of a bat detector, and presents them …
Field Recordings – Gruenrekorder
PLACES_IN_TIME | Thailand & Myanmar Manfred Waffender PLACES_IN_TIME | lake > creek > ocean Manfred Waffender Ultrasonic Scapes Eisuke Yanagisawa Aud Ralph Roas’le Craig Vear kdi dctb …
Gruenrekorder » ULTREALITH | ARTIFICIAL MEMORY TRACE
Subaquantum Ultrealith 44:25 | 4-channel composition exploring sounds that exist on the periphery of human perception, such as ultrasonic sounds of bats, underwater songs of fish, insects and other …
Path of the Wind | Eisuke Yanagisawa – Gruenrekorder
Bei „Ultrasonic Scapes“ hat er Fledermäuse, Zikaden, automatische Türöffner und Straßenlichter belauscht oder Furin Bells. Der Wind spielt nicht nur diese feinen Glockenspiele, die Kühle …
Gruenrekorder – 2012 – Gruenrekorder
Eisuke Yanagisawa (film-maker, researcher and field recordist) has used one to make the record Ultrasonic Scapes (GRUENREKORDER Gr081). He started off with bats right enough, but soon …
Gruenrekorder Shop
Eisuke Yanagisawa: ‘Path of the Wind’ Gruen 182/18 »Field Recordings » Gruen Digital 7 Tracks (41:14) Eisuke Yanagisawa: ‘Ultrasonic Scapes’ Gruen 081/11 »Field Recordings » Digital 10 Tracks …
Gruenrekorder » Edgelands | Michael Trommer
as the material makes extensive use of infra- and ultrasonic frequencies, headphones or a subwoofer are recommended.
Gruenrekorder » Eisuke Yanagisawa
He is currently an Assistant Professor at the Faculty of Culture and Information Science, Doshisha University. www.eisukeyanagisawa.com Gruenrekorder: Eisuke Yanagisawa: “ Scenery of Water ” …
Dark Sound | Mikel R. Nieto – Gruenrekorder
The recordings range from acoustic captures to hydrophones to ultrasound and contact microphones in an attempt to reflect the wide range of acoustic, para-acoustic infra and ultrasonic phenomena that …
The secret life of the inaudible | Christina Kubisch & Annea Lockwood
Kubisch had to modulate these ultrasonic and infrasonic events to make them audible. The other sources followed a different direction, because they were analog: audio captures taken live and from …