Soderbergh talks to IndieWire about "Jaws," his 15-year project to write a book about directing, and working to get his ...

Steven Soderbergh often applies his brainy, process-based approach to new genres; with Presence, he tries his hand at ...

There’s only so much that a person can hold before everything collapses.” With Presence now in theaters, Vogue spoke to Liu ...

“Presence” is a beautifully executed vision of a rather mediocre script. What makes it interesting is the POV “gimmick,” ...

Doing his own camerawork, the director gleefully enriches the haunted-house genre with a simple but ingenious device.

The filmmaker turns a supernatural thriller into a first-person storytelling experiment and a family drama that'd make Eugene ...

The story of the parents and children, as depicted by director Steven Soderbergh, is so interesting, it would work well even ...

Presence holds its audience close with a nifty conceit in which Soderbergh is the eyes and ears of those watching and of his ...

What makes “Presence” interesting is its point-of-view “gimmick.” It’s just the story that’s being told that’s somewhat hacky.

“Presence” is a beautifully executed vision of a rather mediocre script. What makes it interesting is the POV “gimmick,” ...

Steven Soderbergh’s directorial credits include Erin Brockovich, Traffic, Ocean’s Eleven, and Magic Mike. His latest, ...

Often the camera operator on his own films, the Oscar-winning director of "Traffic" had an idea for a first-person horror ...