The story of the parents and children, as depicted by director Steven Soderbergh, is so interesting, it would work well even without the supernatural element.

Steven Soderbergh’s directorial credits include Erin Brockovich, Traffic, Ocean’s Eleven, and Magic Mike. His latest, Presence, is a supernatural thriller shot entirely in the first-person perspective using a Sony Alpha 9 III mirrorless camera.

Over the course of his nearly four-decade career, Steven Soderbergh has just about done it all—including, now, made a horror film. Presence is a ghost story like no other, assuming the first-person perspective of a specter that haunts a suburban clan that’s moved into its residence.

Presence holds its audience close with a nifty conceit in which Soderbergh is the eyes and ears of those watching and of his cast. May the adventurous, restless filmmaker keep on tinkering

The acclaimed director delivers a new spin on the haunted house film which makes for an eerily effective mystery

Often the camera operator on his own films, the Oscar-winning director of "Traffic" had an idea for a first-person horror movie, one that required some stamina.

Doing his own camerawork, the director gleefully enriches the haunted-house genre with a simple but ingenious device.

Steven Soderbergh releases 2024 watch list, which includes viewings of multiple 'Star Wars' films, new releases, old classics, and more.

David Lynch, the peerless director behind such masterpieces as Eraserhead, Blue Velvet, Wild at Heart, Twin Peaks, and Mulholland Drive, was one of cinema’s all-time greats, a unique visionary whose dark and surreal films were the stuff of both unsettling dreams and sumptuous nightmares.

Although it premiered at Sundance almost a year ago, Steven Soderbergh’s Presence is finally making its way to theaters, and audiences may well find

Reactions to the death of David Lynch, the visionary filmmaker behind “Twin Peaks” and “Mulholland Drive,” whose death at 78 was announced Thursday.