Almost exactly 13 years ago, when I was still a freelancer for this site, I wrote a piece about how FX’s hit “It’s Always ...

There’s nothing about “Alley Cats” that’s particularly interesting outside of how it reflects the current state of its ...

One of the few ingenious ideas Lucasfilm has had across its increasingly stale Disney+ “Star Wars” era has been handing ...

It doesn’t take long before the upbeat and knowingly cheesy veneer of “Ice Cream Man” dissolves into a fount of blood. That’s ...

Sprinkled throughout the narrative of the sophomore season of “Diarra from Detroit” (relocated to Paramount+ after the ...

Early on in Todd Haynes’ “Safe,” an unwatched television broadcasts a half-heard report on Elizabeth Bouvia, a woman ...

In Jane Schoenbrun’s “Teenage Sex and Death at Camp Miasma,” horror, cinema, and desire are intertwined. Though similar in ...

Even so, I was grateful for my time there, catching up with old critic friends, meeting distant faces for the first time, and ...

This is the question at the center of Julia Hart‘s latest musical drama, “Don’t Say Good Luck,” which stars Sunny Sandler (star of the delightful 2023 comedy “You Are So Not Invited to My Bat Mitzvah“ ...

The critic turned filmmaker talks about working within other people's sensibilities and his own memories of SoHo.

USA Network’s “Anna Pigeon” is filled with beautiful Montana vistas (even if shooting took place in neighboring Alberta, ...

The Mythic Dimensions of Christophe Gans, author and RogerEbert.com contributor Scout Tafoya gets into the French director’s ...