Throughout January and February, the company will host three distinguished choreographers—Nycole Ray, Avree Walker, and ...

CLEVELAND, Ohio --Ohio Contemporary Ballet returns to Playhouse Square Friday, Feb. 28 with “Echoes and Innovations.” The performances focus on influential choreographers of the past and visionary ...

SHAKER HEIGHTS, Ohio - Get a glimpse of contemporary ballet’s future at the “Emerging Choreographers Showcase” on Friday and Saturday, March 22-23, at Ohio Contemporary Ballet’s studio theater in ...

Chicago’s National Landmark Auditorium Theatre has revealed its 2024-25 performance season presenting a vibrant mix of contemporary and culturally significant dance companies, and the return of the ...

Steppenwolf’s LookOut series steps up. The Joffrey and Hubbard Street have winter series. And look for some big-name ...

It's a Bold New Era for Dance as the Moss Welcomes Complexions Contemporary Ballet, April 26 On Saturday, April 26, at 8 p.m., the Dennis C. Moss Cultural Arts Center will host Complexions ...

White Bird presents four companies including Urban Bush Women while Oregon Ballet Theatre revives "Sleeping Beauty" and World ...

San Francisco is the hub of all things sophisticated in local dance, or so goes the conventional wisdom. That might explain why Charles Anderson’s Walnut Creek-based Company C Contemporary Ballet — ...

Youngsil Kim in the New Orleans Ballet Association presentation of Complexions Contemporary Ballet's program of dance in three acts, which features "Star Dust," a "love note" to David Bowie, with a ...

From the ashes of one fallen dance company rose another. When the pandemic effectively dissolved Aspen Santa Fe Ballet, Aspen’s highly trained professional dancers who made up the troupe were out of ...

Renowned New York City-based dance company Complexions Contemporary Ballet will take the stage at the University at Buffalo Center for the Arts (UBCFA) for one night only on March 28, 2026 at 7:30 p.m ...

Hofesh Shechter thinks we are confused by modern dance. “People are misguided,” he says. “English audiences, in particular, expect to come in, understand it, and have a good conversation about it ...