At the time of writing the “Waldstein,” Beethoven had just received a piano from the Parisian piano-maker Érard. This piano ...
Gilles Vonsattel first performed with Camerata Pacifica in 2017 and is now their principal pianist. He has played many Beethoven piano sonatas, but has been “genuinely” surprised by some that are ...
Fifty years after his classic recordings with Jacqueline du Pre, Barenboim joins with his violinist son and cellist Kian Soltani to bring nuance and thoughtfulness to these seven piano trios Daniel ...
Throughout the week Classic FM’s presenters bring you the best new recordings, including world exclusives and premiere broadcasts of latest releases. This week: Beethoven Piano Concertos Nos. 1 & 2 by ...
What’s a little less Lang Lang and a little less Haydn in the over-the-top final weeks of the Los Angeles Philharmonic’s exceedingly generous centennial season? Gustavo Dudamel had planned a ...
As a student, Levit spent years meticulously polishing a single piano sonata. In many ways it taught him all he knows about this ‘no bullshit’ composer who wrote music of the future Opus 2, No 2. The ...
Roula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter. During the lockdown Daniel Barenboim said he had more time to play the piano than for 50 years. One of the ...
Even as he struggled with the onset of deafness, Beethoven took the piano sonata into new realms of expressive power and beauty. Beethoven composed his Moonlight Sonata in 1801, the same year that — A ...
Lee University’s School of Music will present Dr. Vanessa Wei, assistant professor of piano, and cellist Dr. Amy Catron in a recital on Tuesday, April 7, at 7:30 p.m. in Squires Recital Hall, in Lee’s ...
Peg + Cat is available to stream on pbs.org and the free PBS App, available on iPhone, Apple TV, Android TV, Android smartphones, Amazon Fire TV, Amazon Fire Tablet, Roku, Samsung Smart TV, and Vizio.
Performances in N.Y.C. Advertisement Supported by critic’s notebook Our chief classical critic took on the daunting Opus 110 in college, and now relishes risky recordings. By Anthony Tommasini For my ...
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